Monday, June 8, 2020

Lesbian Avenger Salad

 With the summer weather upon us lets check out some new salads. This is pride month with the anniversary of Stonewall on the 27th. Traditionally just before the Pride marches were the Dyke Marches. This year looks like both will be canceled. However we can not afford to forget about them. We must find new ways for these events to go forward. This salad is named in honor of The Lesbian Avengers. Read about this important group.


A cool summer salad featuring turkey, tomato, cucumber, avocado, along with using a mix of non-fat yogurt along with reduced fat mayonnaise. Not quite a Cobb salad but sure to be a full meal. This should help you become more comfortable with your post sequestered body.


Ingredients:
½ inch slice of turkey breast
1 avocado
4 slices of thick sliced bacon
4 roma tomatoes
4 small English cucumbers
½ cup diced cheese
small red onion chopped
5oz tub plain non fat Greek style yogurt
same of mayonnaise
½ Tsp garlic powder
½ lb elbow macaroni

Directions:
Fix pasta according to box.
While that cooks:


Microwave the bacon between paper towels for about 1 to 2 minutes on high. (Between crisp and limp)




Dice the turkey breast

Cut up the tomatoes



peel and cut up the cucumbers
dice the red onion


If needed cut up the cheese into cubes.



With a sharp knife cut into the avocado till you reach the seed.

 Turn the piece until you have cut it all the way around down to the seed. Twist off half.


Chop down into the seed with the knife just until it is stuck and twist the seed out.
With a large spoon, score the meat out of the skin. 



The “meat” will pop out. Cut this into dices. Cover with plastic wrap or it will start to turn brown. Also helps if you squirt it with a bit of lemon juice.
Cut up the green pepper into small cubes.



In a small bowl spoon in the yogurt, fill the empty tub with mayonnaise, stir in the garlic powder. Set aside.




When pasta is done and drained well. Set aside in a sealed container for the refrigerator.





In another container, stir in the turkey, tomatoes, cucumbers, red onion and avocado. Last add the cheese cubes. Stir in the dressing until well mixed, cover and let sit in refrigerator for the flavors to blend.

When ready to serve, only spoon out what you need for the meal from each container and mix just before serving. 




Any salad can suffer from having the dressing disappear into the pasta!


Honored to serve this to my Master Indy.
socialslave

To satisfy and restore.
To nourish, support and maintain.
To gratify, spoil, comfort and please,
to nurture, assist, and sustain
..I cook!

Please buy slave's cookbook:

The Little Black Book of Indiscreet Recipes by Dan White http://www.amazon.com/dp/B00F315Y4I/ref=cm_sw_r_tw_dp_vAT4sb0934RTM via @amazon



==========================================
The Lesbian Avengers


1992
In direct response to many hateful actions from local governments and dismissal by the federal government, a group of lesbian-identified women in New York City formed a direct action group called the Lesbian Avengers.

Six long-time activists: (Ana Simo, Sarah Schulman, Maxine Wolfe, Anne-christine d’Adesky, Marie Honan and Anne Maguire) created the Avengers to focus on raising visibility for queer women and to fight homophobic initiatives.

Their first action took place on September 9, 1992 when a Queens NYC-based right-wing group was attempting to keep elementary school students from learning a more diverse multi-cultural curriculum. Specifically a queer-inclusive referred to as “Childen of the Rainbow.”

The Avengers staged a demonstration, enlisting a marching band to take to the streets of Queens, handing out balloons to the students, encouraging them to “ask about lesbian lives.” The Avengers wore T-shirts reading “I was a lesbian child,” and a month later, held a similar protest outside of the Board and Education in Brooklyn. In February, they prepared a songbook of lesbian love songs and performed in front of the home of Rainbow Curriculum opponent Mary Cummins.

This first action exemplified the Avenger approach. They established a strong visual presence with balloons and marching band, offered flyers clearly explaining to passersby their support for the curriculum and denouncing its opponents, and, as in all subsequent actions, made great efforts to reach print and broadcast media.

They also demonstrated without permits, refusing to ask for permission to express themselves. Organizer Kelly Cogswell later elaborated on this principle during the 1994 International Dyke March, "We ask for a permit; they can say no."
This simple, but taboo-busting gesture launched an extraordinary movement that spoke to lesbians everywhere.
The Lesbian Avengers generally avoided traditional picket lines, sit-ins, and petitions, aiming instead for actions that created stronger, original images more likely to attract both media coverage and new members.

The Lesbian Avenger Handbook encouraged particular attention to the visual elements of the demonstration. "It should let people know clearly and quickly who we are and why we are there. NY Avengers have used a wide range of visuals such as fire eating, a twelve-foot shrine, a huge bomb, a ten-foot plaster statue, flaming torches, etc. The more fabulous, witty, and original, the better."

Aware of the power of the press, the Lesbian Avengers sometimes didn't court it, but attacked it. They invaded the offices of Self magazine when that publication planned a trip to Colorado despite a lesbian and gay boycott of the state for hate legislation, and in the resulting media coverage were misnamed "The Lesbian Agenda."



Use of fire and fire-eating became something of a symbol for the Lesbian Avengers, and spread from the New York group to many others. The New York Times, in one of its few articles on the Avengers, explained:
[It] grew out of tragedy. Last year, a lesbian and a gay man, Hattie Mae Cohens and Brian Mock, burned to death in Salem, Ore., after a Molotov cocktail was tossed into the apartment they shared. A month later, on Halloween, at a memorial to the victims in New York City, the Avengers (then newly organized) gave their response to the deaths. They ate fire, chanting, as they still do: "The fire will not consume us. We take it and make it our own.

At the Washington Dyke March held during the anniversary celebrations of the Lesbian and Gay March on Washington in 1993, the Lesbian Avengers ate fire in front of the White House surrounded by a crowd of an estimated 20,000 lesbians.



According to co-founder Sarah Schulman, "It was at the 1993 March on Washington that the Avengers and ACT-UP Women's Network created the first Dyke March -- with 20,000 women, marching together with no permit. These participants brought the marches home to their cities and countries and created a new tradition."
The 1993 March on Washington, held at the end of April, was followed in June by what was to become an Avenger tradition, the Dyke March held a day or two before LGBT Pride.
The second New York City Dyke March, coinciding with the anniversary of the Stonewall Riots, Gay Games IV, and international human rights conferences, was actually an International Dyke March, attracting as many as 20,000 marchers from all over the world. The Dyke March tradition continues in many cities, including Mexico City.

In its heyday, the Lesbian Avengers had as many as fifty-five independent chapters, locally controlled and operated.

Before the Lesbian Avengers were formed in 1992, homosexuality was still illegal in Kentucky.

Oregon was creating an anti-gay referendum called Measure 9. This was the same year that, 29-year-old black lesbian Hattie Mae Cohens and her gay male roommate, Brian Mock, were brutally murdered in Salem, OR.

Meanwhile, a clause prohibiting homophobic bullying in schools was turned over in Fairfax County, Virginia because the school board was concerned about promoting homosexuality.

Florida maintained there would be no protections for LGBTs, and hate crimes were at an all-time high in Los Angeles.

These early radical actions from out and proud lesbian feminists had a direct impact on how LGBTQ women have since come together to build and fight for the visibility and safety of their community.

Although the Lesbian Avengers eventually disbanded, many of the leaders have continued with the legacy as activists, writers, filmmakers and teachers. A documentary (“Lesbian Avengers Eat Fire, Too”), a memoir (Kelly Cogswell‘s “Eating Fire: My Life as a Lesbian Avenger“) and extensive site chronicling the Avengers’ herstory help to preserve the memory the group’s influential work.
N!" to get involved. "We're wasting our lives being careful. Imagine what your life could be. Aren't you ready to make it happen?"








Thursday, June 4, 2020

Carpathian Chicken

Finding a bag of frozen chicken patties in the refrigerator inspired me to create this variation of an old classic. Named for a fictitious country in the Balkans. Given a gypsy flavor to dress up the otherwise ordinary. Might have called it chicken in drag.

Chicken with a balsamic cheese sauce and grapes.

Ingredients:
4 chicken patties
½ cup chopped onion
2 Tbs butter + 2 Tbs oil
1½ cups chicken stock
¼ cup pancake mix
2 Tbs balsamic vinegar
1 cup dark red seedless grapes
½ grated Gruyere cheese
8 oz sliced mushrooms


Directions:
Preheat oven to 450 degrees F. Lightly grease a 13×9-inch baking pan.
In a large nonstick skillet, melt 2 tbs of butter over medium high heat and sauté the mushrooms and onions for 3 to 5 minutes, stirring constantly. Remove.





Cook the chicken patties for 3 to 4 minutes per side in another Tbs of oil added to skillet.
Remove the chicken and place in baking pan. Leave the drippings in the skillet.
Sprinkle the mushrooms and onions over the chicken.




In the same skillet, mix the broth, pancake mix, balsamic vinegar and boil. Reduce the heat and simmer for 10 minutes stirring occasionally. You want a nice thick sauce, then pour this over the chicken.
In a bowl, mix together the cheese and grapes and sprinkle over the chicken.
Bake the chicken for
12 to 14 minutes in a preheated oven. Remove and let rest for 5 minutes.



Yes Brussels Sprouts
Ingredients
2 packages frozen Brussels sprouts, thawed
¼ cup pancake syrup
zest from orange
juice of ½ orange

Directions:
Pre-heat oven to 450 degrees. Line a baking tray and spray well.

Place sprouts in foil lined pan. Zest the orange over that.



Mix sprouts with syrup, juice, and zest. Must be well coated. Stir roast along side the casserole for 15 mins.


What a surprise to serve my Master Indy!




socialslave

To satisfy and restore.
To nourish, support and maintain.
To gratify, spoil, comfort and please,
to nurture, assist, and sustain
..I cook!

Please buy slave's cookbook:

The Little Black Book of Indiscreet Recipes by Dan White http://www.amazon.com/dp/B00F315Y4I/ref=cm_sw_r_tw_dp_vAT4sb0934RTM via @amazon



================================
Peter Staley 


Peter Staley (born January 9, 1961) is an American political activist, known for his work in HIV/AIDS activism. As an early and influential member of ACT UP, New York, he founded both the Treatment Action Group (TAG) and the educational website AIDSmeds.com.

Peter Staley was born in Sacramento, California, in 1961; the third of four children. Their family moved throughout the US until he was eight. He attended Oberlin College where he majored in economics and government, spending his junior year abroad at the London School of Economics before graduating in 1983. Following his graduation, he went to work for J.P. Morgan, where his brother Jes Staley was working (Jes became the CEO of J.P. Morgan's Investment Bank, before leaving in 2013 to join BlueMountain Capital and is now the CEO of Barclays).


After observing similarities with the symptoms depicted in the made-for-TV drama An Early Frost, Staley consulted with his physician, Dr. Dan William, who diagnosed Staley with AIDS-Related Complex (ARC) in 1985. In 1987, he decided to attend a meeting for ACT UP (AIDS Coalition To Unleash Power). He became very involved. Although he had come out to his family, Staley remained closeted at work, working as a bond trader by day and chairing ACT UP's fundraising operations by night.. On March 24, 1988, he took part in an ACT UP demonstration on Wall Street on the first anniversary of the group. At that demonstration, he was in one of the first waves of people sitting in the street to block traffic, and was interviewed by a local TV station who broadcast his image with the caption "Peter Staley, AIDS victim."

The next year, Staley and three other activists barricaded themselves in an office at Burroughs Wellcome in Research Triangle Park, NC to protest the price of AZT (at the time priced at $8,000-$10,000 per year). The four protesters chained themselves together, and were cut apart and charged with trespassing and property damage. Staley, who at the time had been in talks with AZT developer David Barry to lower the price on the drug, would make peace with the company years later, following their $1 million donation to AIDS clinical trials programs in 1992.

In September 1989, Staley and six other activists staged another demonstration to protest the rising cost of AZT, this time in the New York Stock Exchange. Dressed in suits and carrying fake credentials, they chained themselves to a balcony above the trading floor before unfurling a banner that read "Sell Wellcome", drowned out the opening bell with airhorns, and dropped fake $100 bills that read, "Fuck your profiteering. We die while you play business." on the traders below. Within days, Burroughs Wellcome lowered the price of AZT by 20%.

That year he was part of a group that stormed the Fifth International AIDS Conference in Montreal, at the time a members-only event for doctors and HIV/AIDS researchers. They took over seats reserved for dignitaries, and released their first Treatment and Data report calling for speedier access to AIDS drugs, although coverage of the demonstration was overshadowed by the events at Tiananmen Square. The next year, Staley was a featured speaker at the Sixth International Conference on AIDS in 1990, held in San Francisco. Staley would be involved in many more demonstrations and protests, ultimately being arrested 10 times, although he does not have a criminal record due to the work of pro bono lawyers.


Involvement with TAG
In 1991, Staley founded an ACT UP activist affiliate called TAG (which originally stood for Treatment Action Guerrillas, and later Treatment Action Group). Formed from ACT UP's Treatment and Data Committee, the group was focused on actively working to pursue AIDS treatment solutions through activism, and working with groups that had been targeted by ACT UP, such as pharmaceutical companies.

TAG broke away from ACT UP to focus on protesting government agencies on working for faster drug solutions through more coordinated AIDS research efforts. At the 1992 International AIDS Conference in Amsterdam, the group called for negotiations and more proactive measures than protests in order to achieve those goals. Staley later said that he regretted the split, wishing that they had been "able to keep it together as an organization."

amfAR
From 1991-2004, Staley served on the board for amfAR (the Foundation for AIDS Research). A nonprofit organization dedicated to supporting HIV/AIDS research, prevention, and treatment education, the group has invested more than $366 million in its various programs over the course of its history, which have spawned significant advances in the realm of the treatment and prevention of HIV.
During this time, he was named to President Bill Clinton's AIDS National Task Force on AIDS Drug Development, an 18-member panel of scientists, doctors and AIDS advocates to work to speed the research for new AIDS drugs.
Carpathian Chicken 


AIDSmeds.com
In 1999, Staley founded AIDSmeds.com, a site "dedicated to providing people living with HIV the necessary information they need to make empowered treatment decisions." It expanded to include topics including gay health, and education and resources related to gay health. In 2006, AIDSmeds.com merged with POZ, a publication for people living with and affected by HIV/AIDS. Staley is still with the merged organization as a blogger and advisory editor.


Ad campaign against crystal meth
In 2004, Staley funded and launched an ad campaign in New York, warning of the link between crystal meth use and HIV in gay and bisexual men.
A former crystal meth addict himself, Staley had ads placed on phone booths along Eighth Avenue in Chelsea that read "Huge Sale! Buy Crystal, Get HIV Free!" The controversial ads attracted attention from both supporters and detractors. Two months later, New York City appropriated the first government funds anywhere in the U.S. targeting meth prevention for gay men. Other cities and states soon followed. According to ongoing CDC HIV surveillance studies, meth use among gay men in New York City fell from 14% in 2004 to 6% in 2008.

How to Survive a Plague
Staley features prominently in the 2012 documentary How to Survive a Plague, which depicts the early years of the AIDS epidemic and the actions of ACT UP and TAG. For the film, director David France relied heavily on archival footage, much of it taken from VHS tapes in Staley's personal collection. The documentary was nominated for an Oscar.
In 2013, Staley was appointed by Governor Andrew Cuomo to New York State’s Ending the Epidemic Task Force, which developed a blueprint to dramatically lower HIV infections in the state by 2020. In 2014, Staley was appointed by Dr. Francis Collins, Director of the NIH, to the search committee tasked with finding the next Director of AIDS Research at the NIH.

Also in the 2014, Staley helped form a coalition of advocates for Truvada PrEP – the once-a-day pill that prevents HIV infections – that successfully pressured Gilead Sciences to liberalize its patient assistance programs, removing barriers to access for this new tool to fight the AIDS epidemic.

In the fall of 2016 he was welcomed by Harvard to teach about the impact and joys of activism.

Personal life
Staley and his partner, along with their dog, divide their time between rural Pennsylvania and an apartment in New York City's West Village, not far from where ACT UP first recruited him.








Monday, May 25, 2020

Eltinge Chicken bake


For our holiday offering here is an alternative for grilling outside. It is a chicken bake chocked full of vegetables for you and your neighbors. We name it after the most famous American male actress in the first half of the Twentieth Century, “Eltinge”.


For a better tasting dish, roast the chicken first, then make the casserole. 




Ingredients:
1 lb. medium shells pasta, cooked and drained
3 chicken breasts bone-less, skinless
4 Tbs favorite salad dressing, (used a butter-garlic I found in seafood section)
1 can Cream of onion soup
1 can cream of bacon soup
½ cup sour cream
6 slices chopped cooked bacon
1 pkg frozen mixed vegetables
2 cups shredded Colby Jack cheese (8 oz)
Chopped parsley, if desired

Directions:
Heat oven to 375°F. Line a baking pan with foil.



Split each breast lengthwise horizontally. Rub with salad dressing and roast in pan for 25 – 30 minutes until temp reaches 165 degrees.
 After all you want the chicken to have taste, otherwise you could just use the canned stuff.


Prep the pasta. Let it cook for 10 minutes in boiling water, drain well.

Take the chicken out and cut it into 2 inch pieces. Lower the oven to 350 degrees.
Line a large baking pan with foil and spray it well.




While that cooks: do your bacon on a paper towel lined plate in the microwave for no more than 2 mins on high. Let drain on more paper towels. 



Cut into 1 inch pieces.

In large bowl, place the drained pasta, cooked and diced chicken, the undiluted cans of soup, and sour cream. Stir to combine.




Stir in the frozen vegetables and the cut up bacon. Pour mixture in pan; spread evenly. 



Sprinkle with 2 cups shredded mixed Colby jack cheese (8 oz).


Bake 15 to 20 minutes or until hot and bubbly. Let stand 5 minutes before serving. Sprinkle with chopped parsley if you wish. 



What a great meal for my Master Indy.

Now then since this makes so much unless you are serving a pot luck dinner, plan ahead.
Portion the left-overs in containers and freeze!


These can either be taken to neighbors or just used another day.

socialslave

To satisfy and restore.
To nourish, support and maintain.
To gratify, spoil, comfort and please,
to nurture, assist, and sustain
..I cook!

Please buy slave's cookbook:

The Little Black Book of Indiscreet Recipes by Dan White 


============================
Eltinge 



May 14, 1883– William Julian Dalton was born. He was to become one of America's biggest stage and film actors. He elevated the art of female impersonation. He never presented a caricature, nor over embellished image but rather an illusion of a woman.
Using the single name of Eltinge became the highest paid actor on the American stage. So popular was he that during the Korean War a troop ship was named in his, or rather, her honor.

The Eltinge Theater on New York's 42nd Street was designed by noted theater architect Thomas W. Lamb. He also had his own magazine, in which he advised women about makeup and promoted his cosmetics line, which was highly regarded for its cold cream. He even had a line of cigars!
Forgetting Julian Eltinge in American culture is arguably equivalent to forgetting an actor like Mark Wahlberg, or Dwayne “The Rock” Johnson, two of the highest-paid actors in Hollywood in 2019.

At one point, Eltinge was absolutely everywhere, and his method of drag — going back and forth from male to female characters multiple times within a single performance — became a comedic trope that continued into the cultural mainstream for decades to come. 

With Eltinge, drag became a more cultural experience. At the height of Eltinge’s fame in particular, it lifted female impersonation to great respectability where it previously had very little.

Eltinge's career began when he was a child in Butte, Montana. Dalton was interested in dressing up early on, which his mother apparently accommodated. When he started dressing as a woman and performing in local saloons, however, his father found out and was enraged, so his mother sent him back East to Boston to live with her sister. He did continue to preform.
Eltinge soon became a professional, contracted actor, and made his stage debut in New York in 1904 with the play Mr. Wix of Wickham.

Eltinge would go on to play a set character throughout his career — men who had to dress as women to achieve their goals, claiming a massive inheritance, or what have you. Eltinge actively sought to lend a higher-class status to female impersonators, whose performances were often otherwise confined to dive bars.

Eltinge also sought to differentiate himself by cultivating an especially “butch” public image, because even a hint of homosexuality would have destroyed his career: He participated in staged boxing matches and lit cigars after performances.

Because it was said that Eltinge knew how to manipulate the press, rumors of his sexuality were mostly averted, though Eltinge was a lifelong bachelor. He designed many of his own garments and had a personal dresser.



During this time Eltinge began performing in vaudeville. Unlike many of the female impersonation acts that existed at that time, like Bert Savoy or George Fortesque, Eltinge did not present a caricature of women but presented the illusion of actually being a woman. He toured simply as "Eltinge" which left his sex unknown and his act included singing and dancing in a variety of female roles. At the conclusion of his performances, he would remove his wig, revealing his true nature to the surprise of the often unknowing audience.

Eltinge’s audiences were primarily entranced women. “Women went into ecstasy about him,'' the comedian W.C. Fields once said. ''Men went into the smoking room.'' And for those who were so entranced, the experience of seeing the performer was never a moral question of Eltinge’s sexuality, but rather a fascinating, magical illusion they wanted to see again and again.

There is a long tradition in entertainment that goes back to Shakespearean times. In fact, even further back to the times of ancient Greek Plays. Women parts on stage were played by men. In Elizabethan times it was against the law for a woman to appear on stage. In more modern times, for a man to dress as a women, even on stage, he had to be mocking them.

In their limited hetreocentric world, people ask why would a man want to look like a woman (a lessor person). Maybe that way a man could have deviant sex. If the object of his lust LOOKED like a woman. Thus an effeminate aspect was linked to being a sexual monster who was somehow “after our children”. In the early 1900s, In the UK especially, the homosexual took on very effeminate gestures as a way of “signaling” to others what they were looking for.

In popular entertainment appearing in drag often was a comedic tool. An obvious buffoon to make fun of. Around the turn of the twentieth century “drag shows” at least in the USA focused on over the top presentations. These were diva's; over-feminine, over made up, and over acted.

Eltinge however offered an illusion of becoming a woman! An image unique to the culture of the time.




Hollywood beckoned Eltinge and in 1917 he appeared in his first feature film, The Countess Charming. This would lead to other films including 1918s The Isle of Love with Rudolph Valentino.

His role in the film was again a double role with him playing both a male and said male in female garb.

By the time Eltinge arrived in Hollywood, he was earning on stage an unheard of $3,500 a week! 




By 1920, Eltinge was an intimate of the top Hollywood stars and a wealthy man. He built Villa Capistrano, one of the most lavish villa’s in the Hollywood area, where he lived with his mother and entertained lavishly. He also built a ‘dude ranch’ for men in Alpine, CA near San Diego.

After filming, Eltinge continued touring onstage and would do so until 1927.

Eltinge was one of many show business figures to be hit hard by the 1929 stock market crash. By the 1930s, the female impersonations that he had built his career on had begun to lose popularity, as did vaudeville in general. Eltinge resorted to performing in nightclubs. Crackdowns on cross-dressing in public – an attempt to curb homosexual activity – prevented Eltinge from performing in costume. His shows were always the epitome of good taste but this moral crackdown led to his decline.

Eltinge experienced a personal bout of depression, having spent lavishly on homes and cars with failed investments. Then in his 50s, he began drinking heavily when work became scarce.

Eltinge resorted to performing in nightclubs.
Passing away just before WWII, Eltinge leaves a legacy as one of the greatest female impersonators of the 20th century.
Though the details of his professional life are widely known, Eltinge's personal life is shrouded in mystery; mystery partly due to the passage of time, but really more likely to Eltinge's own hand. 


Aside from the graceful femininity he exhibited onstage, Eltinge used a super-masculine facade in public to combat the rumors of his homosexuality. This facade included the occasional bar-fight, smoking cigars, and drawn out engagements to women (though he never married). He was also known to physically attack stagehands, members of the audience and others who remarked on his sexuality.
As to his homosexuality, there is some question. Milton Berle and many others who worked with Eltinge believed that he was indeed gay. There is no existing record of a lover of either sex, though stories did abound.

The legal oppression prevented Eltinge from performing in costume.
At one appearance in a Los Angeles club, Eltinge stood next to displays of his gowns while taking on his characters.

Eltinge’s final performance was at Billy Rose’s Diamond Horseshoe Nightclub in New York City in February of 1941. He died ten days later at his apartment on West 74th Street. His death, like his much of his personal life remains a mystery, leaving behind a bustle full of questions and, undoubtedly, many spectacular black veils.

But who was Julian Eltinge? Today he would be a hybrid of Oprah, RuPaul and Cher, as he was the original one-named wonder: ELTINGE! He successfully branded himself not only with a namesake theater, but also a magazine (“Julian Eltinge’s Magazine of Beauty Hints & Tips”) where he offered make-up and lifestyle suggestions to his adoring fans of both sexes.

“it is not how much paint you put on, it is where you put it”.

An impossible persona to typecast, Eltinge greatest gift was perhaps his ability to not merely play a woman with complete believability, but to also somehow become one.  This is why audiences claimed him to be one of the greatest living actresses of his time.

The signature “reveal” ending of his act was the mainstay at Finocchio's Night Club of San Francisco up until they closed in 1999.

For Eltinge it wasn’t so much “an act” as a metamorphosis.