Well
after a brief stay in the hospital, your friendly neighborhood slave
is back with more culinary delights for you to prepare. This hearty
potato and green beans makes a wonderful one dish meal! It is named
to honor a LGBT Hero John Palatinus. A brave photographer in the 50's
that forged the way for a community to be started and selling
“beefcake” photos.
Fresh
green beans, red potatoes, and onions jazz up a great potato Au
Gratin. Be sure to read the short story after the recipe.
Ingredients
- 2.5 lbs red potatoes
- 1 onion
- ¼ lbs loose sausage
- 3 tablespoons butter
- 3 tablespoons flour
- 1 teaspoon dry mustard
- 2 cups warmed milk
- ¼ cup gouda or gruyere cheese
- salt & pepper to taste
Instructions
Preheat
oven to 400 degrees F. Coat
an 8-in. square baking dish with cooking spray.
Heat
the milk.
Rinse
green beans and snap the ends off.
Cook
the ¼ lbs loose sausage in a medium skillet as you prepare the
potatoes and onions.
Wash
potatoes and slice into 1/8' thin slices. Slice onion as thin as
possible.
Layer
potatoes and onions in little stacks. Place stacks in the casserole
dish. Cover with plastic wrap.
Microwave
on full power for about 10 minutes (be careful, it will be hot when
removing the plastic wrap).
Meanwhile
sprinkle the four into the sausage in the skillet and melt butter
Stir and cook 1 minute. Add seasonings and warmed milk.
Stir over
medium heat until thick and bubbly. About 3 minutes remove from heat.
This
by the way is now an excellent sausage gravy if you ever need some!
Spread
the stacks out in the dish and add the green beans. Stir until mixed.
Spoon
the sauce over potatoes. I sprinkled the Gouda cheese as a light thin topping.
Cover
with foil (sprayed with cooking spray) and bake 45 minutes.
Remove foil and check to see if the potatoes are cooked and done.
Uncover and bake an additional 15 minutes or until lightly
browned.
Important
to let this “rest” for 10 minutes before serving. This
allows the sauce to be pulled back into the potatoes.
NOTES:
- Yukon gold potatoes (or red potatoes) have tender skin and don’t require peeling (they hold their shape well).
- Use a mandolin to make these slices
Serve
as a one dish meal with perhaps some crusty bread.
For
our music:
https://www.youtube.com/watch?v=nkunqvDT4kY&list=PLAIV0dLl8IN-gZzwSnKh4R9pNspXrQ1d8&index=70
So
honored to serve this to my Master Indy
socialslave
To
satisfy and restore.
To
nourish, support and maintain.
To
gratify, spoil, comfort and please,
to
nurture, assist, and sustain
…..I
cook!
Please
buy slave's cookbook:
The
Little Black Book of Indiscreet Recipes by Dan White
John
Palatinus
John
Palatinus was noted for his male physique photography which appeared
in numerous magazines that catered to the interests of a growing gay
male population in the 1950's.
It
might be hard to remember how things were before the widespread
internet.
The
Forties and Fifties were especially guided by society's push to erase
any depiction or even mention of homosexuality. Gay did not exist.
Young gay men and women had no where to turn to find others in some
instances to even know others existed. Teens hid underwear advertisements to fuel their growing sexuality.
In
this environment, photographer John Palatinus in northern Indiana,
dared to showcase the male physique as a form of beauty and desire.
His images frequently depicted men posing in straps or nude. They
were published in “Tomorrow’s Man” and other bodybuilding
magazines popular among gay men. They sort of defined the physical
archetype, which later became iconically gay.
Artist
and author Tom Bianchi said, the images had an validating effect on
these lives.
“For
kids like myself, who were isolated the photos were the only window
into the possibility that there might be a world where gay people
could be.”
Born
on July 6, 1929, Palatinus grew up in Indiana. It was after his
military service in 1954 that he began photographing male
bodybuilders, who were usually friends who wanted to document their
bodybuilding progress. Early on, he said he realized the images had a
“certain amount of art in there.”
John
Palatinus was one of the few leaders in the fight for the freedom to
disseminate gay photography and art during the 1950's and 60's. He was
a legendary photographer from an era now called the Golden Age of
Physique Photography. At that time in America, it was illegal to send
even semi-nude photographs through the U.S. Mail.
Physique
photography was about appreciation of the male form. Palatinus began
by photographing one bodybuilder and quickly word spread.
“There
was a whole group, a small community of dedicated people who wanted
to show their progress.”
Initially
only for the models, the pictures began to be published in physique
magazines of the time like Tomorrow’s Man, published across The
United States. In homophobic McCarthyist America, these magazines
were to serve a second purpose- tacitly uniting many closeted
homosexual men, who began collecting the images from photographers
using the details printed with the pictures.
Later
on in the nineties and beyond, Vintage Male Physique (VMP)
photography was to become a collector’s business.
Palatinus
was gay but most of his models were not.
“People
always ask me: ‘How many of your models did you have sex with?’
and whenever they ask me that I say: ‘none of them’. I don’t
think you should violate that covenant as a photographer. If you’re
gonna make love to them, you do it through the lens.”
In
1954 Palatinus moved to New York, and set up in Greenwich Village,
taking male physique photographs and distributing them to eager
collectors. In 1958 he began to photograph nudes.
“Before
then everything was covered or we would do poses so that the
genitalia were not showing. It was a little bit soft core because you
could see the outline of the genitalia, but nothing was exposed. It
was always of one person, there was no sex involved so I didn’t
think it was salacious or readily erotic. I decided: ‘Well I have
these beautiful people why don’t I photograph them nude?’ Again I
didn’t photograph with erections, there wasn’t any sort of sexual
side to them.”
That
was left to the roaring imaginations of the viewers.
However,
Palatinus’ work was being intercepted by the US postal service,
leading to his arrest in 1959. “The police came in to my studio and
they took everything, they did a clean sweep, my camera, my lighting
equipment, negatives, money, everything. The negatives ended up in
the police department. I never saw them again. This was a very
difficult time in America, it was the end of the McCarthy era and gay
bars were being closed and they would say ‘these premises have been
closed because they have been frequented by undesirable people or
homosexuals.’
“They
would close the bar and they would put the names of the people at the
bar in the newspaper, ruining their lives forever. It was a very
repressive time. It is representative of the puritanical America of
that period and there are still vestiges of that today.”
Using
his own name and daring to photograph men for the appreciation of
other men, Palatinus was taking a high risk. Alan Harmon, a VMP
collector and curator, says it was rare for photographers to identify
themselves so openly.
“A lot of people didn’t use their real name
when taking these photographs, Unless you got into their inner circle
of buyers, you never knew who was taking these pictures. Then you got
the rebels like John who used their full, real name. He was pretty
fearless.”
Palatinus
was one of many Male Physique photographers who was persecuted for
his practice. Bob Mizer, another photographer, was imprisoned in
1959, the same year that Muscle Beach, a prominent setting for
physique photography was closed down. “I did not expect it to come
crashing down the way it did. It meant starting over at life again
because at that point I didn’t have a day job anymore, because I
was doing so well with the photographs. After that happened I really
had to start my life over again and go back to doing something I did
before.”
He
was arrested and put on trial in 1961. Palatinus was found guilty but
allowed to go free because he had spent a night in jail at the time
of his arrest.
He
was so shaken by the experience that he turned away from physique
photography as a career and focused on styling various commercial
shoots for his peers and other creative outlets. But half a century
later, renewed interest in his photographs fueled an unexpected
career resurgence.
Palatinus
began showing his work again in 2009. It was greeted with enthusiasm
from galleries and festivals. His photographs were featured in
exhibitions from Los Angeles and San Francisco to Paris, France, and
Berlin, as well as in numerous magazines.
A
2011 show at Savage Gallery in Palm Springs drew a huge turnout, as
Palatinus was honored that year with the Stonewall Lifetime
Achievement Award lifetime achievement award.
“When
I was in court in 1959, the judge said: ‘by today’s standards it
is considered pornography but who knows? In 50 years’ time it may
be considered art’ and that really is true.”
In
September 2014 after a brief illness, John Palatinus passed. He was precede by his life partner of 48 years, Jack Alexander.
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