Sunday, November 10, 2019

Vashya Casserole

Here we have a cross between a stroganoff and a lagsna with some extra vegetables thrown in. The recipe calls for browned ground beef, which works just fine, slave had some roasted beef to use up so that's what I put it. We dedicate this dish to a gifted but tormented LGBT hero playwright Tennessee Williams. Read a short story about him after the recipe.


A great casserole for Autumn, beef, mushrooms, cheese, corn, green beans braised together to warm the insides. Try it tonight. 
 

Ingredients:

12 ounces pasta
1 pound ground chuck (or roasted beef)
1 small onion, chopped
1 cup green beans
1 can corn
1 (8-ounce) package fresh mushrooms, sliced
½ cup beef broth
½ tsp. dried oregano
1 (8-ounce) container sour cream You can substitute with ricotta cheese or plain yogurt.
12 ounces container small-curd cottage cheese
1 teaspoon garlic powder
2 cups (8-ounces) shredded cheese use any white cheese of your liking.
½ cup grated Parmesan cheese
1 teaspoon salt

Directions:

Preheat oven to 350 degrees F. Cook pasta according to package directions; drain and keep warm.
Meanwhile, cook ground chuck in a large skillet, stirring until it crumbles and is no longer pink. About 8 minutes
 


Drain and return to skillet. Stir in onion, green beans, corn, and mushrooms. Cover and cook over medium-high heat 10 minutes or until vegetables are tender, stirring occasionally.

Stir in beef broth, and oregano; set aside.
 


 
In a large bowl combine sour cream, cottage cheese, garlic, and salt. Add the pasta, tossing to coat.

Spread half of that mixture in a lightly greased 9- x 13-inch baking dish. Top with half of the meat mixture, half of the cheese. Repeat layers with remaining pasta and meat mixtures. With Parmesan cheese on top.


Cover; bake 40 minutes. Sprinkle with remaining cheeses, and bake, uncovered, an additional 10 minutes.



What a dish to set before Master!
For our music: https://www.youtube.com/watch?v=9w3WHYFohCM

socialslave

To satisfy and restore.
To nourish, support and maintain.
To gratify, spoil, comfort and please,
to nurture, assist, and sustain
..I cook!

Please buy slave's cookbook:

The Little Black Book of Indiscreet Recipes by Dan White http://www.amazon.com/dp/B00F315Y4I/ref=cm_sw_r_tw_dp_vAT4sb0934RTMvia @amazon


 

Tennessee Williams


Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), known by his pen name Tennessee Williams was an American playwright. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three greatest playwrights of the 20th-century. 

Williams was born in Columbus, Mississippi. His father was a traveling shoe salesman who became an alcoholic and was frequently away from home. His mother, Edwina, was the daughter of the Reverend Walter Dakin, an Episcopal priest from Illinois who was assigned to a parish in Clarksdale, Mississippi. Williams lived in his parsonage with his family for much of his early childhood. 

As a child, Williams nearly died from a case of diphtheria that left him weak and virtually confined to his house for a long time. His father Cornelius had a violent temper and was a man prone to use his fists. He regarded his son's effeminacy with disdain. His father was promoted to a job at the home office of the International Shoe Company in St. Louis when Williams was 8 years old. At age 17, his short story "The Vengeance of Nitocris" was published in the August 1928 issue of the magazine Weird Tales. 

Williams attended the University of Missouri in Columbia where he enrolled in journalism classes. Soon he began entering his poetry, essays, stories, and plays in writing contests, hoping to earn extra income. 

His first submitted play was Beauty Is the Word 1930 and he became the first freshman to receive honorable mention in a writing competition.
After he failed a military training course in his junior year, his father pulled him out of school and put him to work at the International Shoe Company factory. He hated it! He set a goal of writing one story a week. Williams often worked on weekends and late into the night. 

Overworked, unhappy, and lacking further success with his writing, by his 24th birthday Williams had suffered a nervous breakdown and left his job. He drew from memories of this period, for characters that would appear in his works. By the mid-1930s his mother separated from his father due to his worsening alcoholism and abusive temper. They never divorced. 

In 1936 Williams enrolled at Washington University in St. Louis where he wrote the play Me, Vashya (1937). In the autumn of 1937, he transferred to the University of Iowa, where he graduated with a B.A. in English in August 1938. He later studied at the Dramatic Workshop of The New School in New York City. Speaking of his early days as a playwright Williams wrote, "The laughter ... enchanted me. Then and there the theatre and I found each other for better and for worse. I know it's the only thing that saved my life." Around 1939, he adopted "Tennessee Williams" as his professional name. 

With the help of his agent, Williams was awarded a $1,000 grant from the Rockefeller Foundation in recognition of his play Battle of Angels. 

Using some of the Rockefeller funds, Williams moved to New Orleans in 1939 to write for the Works Progress Administration (WPA), a federally funded program begun by President Franklin D. Roosevelt created to put people to work. Williams lived for a time in New Orleans' French Quarter, the setting of his 1977 play Vieux Carré. The Rockefeller grant brought him to the attention of the Hollywood film industry and Williams received a six-month contract as a writer from the Metro-Goldwyn-Mayer film studio, earning $250 weekly. 

During the winter of 1944–45, his play The Glass Menagerie, was produced in Chicago and garnered good reviews. It moved to New York where it became an instant hit and enjoyed a long Broadway run. The Glass Menagerie won the award for the best play of the season, the New York Drama Critics' Circle Award. 

The huge success of his next play, A Streetcar Named Desire, secured his reputation as a great playwright in 1947. 


By the late 1930s, Williams began exploring his homosexuality. In New York City, he joined a gay social circle. In the summer of 1940, Williams initiated a relationship with Kip Kiernan (1918–1944), a young Canadian dancer he met in Provincetown, Massachusetts. When Kiernan left him to marry a woman, Williams was distraught. Kiernan's death four years later at age 26 was another heavy blow. 

Williams spent the spring and summer of 1948 in Rome in the company of an Italian teenager, called "Rafaello" in Williams' Memoirs. He provided financial assistance to the younger man for several years afterward. Williams drew from this for his first novel, The Roman Spring of Mrs. Stone. 



When he returned to New York that spring, Williams met and fell in love with Frank Merlo (1922–1963). An actor of Sicilian ancestry, he had served in the U.S. Navy in World War II. This was the enduring romantic relationship of Williams' life and it lasted 14 years until infidelities and drug abuse on both sides ended it. Merlo, who had become Williams' personal secretary, took on most of the details of their domestic life. He provided a period of happiness and stability, acting as a balance to the playwright's bouts with depression. His years with Merlo, in an apartment in Manhattan and a modest house in Key West, Florida was Williams' happiest and most productive. Shortly after their breakup, Merlo was diagnosed with inoperable lung cancer. Williams returned to him and cared for him until his death.

Between 1948 and 1959 Williams had seven of his plays produced on Broadway: Summer and Smoke (1948), The Rose Tattoo (1951), Camino Real (1953), Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), Garden District (1958), and Sweet Bird of Youth (1959). By 1959, he had earned two Pulitzer Prizes, three New York Drama Critics' Circle Awards, three Donaldson Awards, and a Tony Award. 

Williams' work reached wide audiences in the early 1950s when The Glass Menagerie and A Streetcar Named Desire were adapted as motion pictures. Later plays also adapted for the screen included Cat on a Hot Tin Roof, The Rose Tattoo, Orpheus Descending, The Night of the Iguana, Sweet Bird of Youth, and Summer and Smoke. 

After the extraordinary successes of the 1940s and 1950s, he had more personal turmoil and theatrical failures in the 1960s and 1970s. Although he continued to write every day, the quality of his work suffered. 

In the years following Merlo's death in 1963, Williams descended into a period of nearly catatonic depression and increasing drug use; this resulted in several hospitalizations and commitments to mental health facilities. His doctor, Dr. Max Jacobson – known popularly as Dr. Feelgood – would give him injections in increasing amounts of amphetamines to overcome his depression. Jacobson combined these with prescriptions for the sedative Seconal to relieve his insomnia.


His plays Kingdom of Earth (1967), In the Bar of a Tokyo Hotel (1969), Small Craft Warnings (1973), The Two Character Play (also called Out Cry, 1973), The Red Devil Battery Sign (1976), Vieux Carré (1978), Clothes for a Summer Hotel (1980), and others were all box office failures. Negative press notices wore down his spirit. His last play, A House Not Meant to Stand, was produced in Chicago in 1982. Despite largely positive reviews, it ran for only 40 performances. 

Throughout his life, Williams remained close to his sister, Rose, who was diagnosed with schizophrenia as a young woman. In 1943, as her behavior became disturbing, she was subjected to a lobotomy, requiring her to be institutionalized for the rest of her life. As soon as he was financially able, Williams moved Rose to a private institution just north of New York City, where he often visited her. He gave her a percentage interest in several of his most successful plays, the royalties from which were applied toward her care. The devastating effects of Rose's treatment may have contributed to Williams' alcoholism and his dependence on various combinations of amphetamines and barbiturates. 

As Williams grew older, he felt increasingly alone; he feared old age and losing his sexual appeal. In the 1970s, when he was in his 60s, Williams had a lengthy relationship with Robert Carroll, a Vietnam veteran and aspiring writer in his 20s. Williams had a deep affection for Carroll and respect for what he saw as the younger man's talents. Along with Williams' sister Rose, Carroll was one of the two people who received a bequest in Williams' will.

On February 25, 1983, Williams was found dead at age 71 in his suite at the Hotel Elysée in New York. Chief Medical Examiner of New York City Elliot M. Gross reported that Williams had choked to death from inhaling the plastic cap of a bottle.

In late 2009, Williams was inducted into the Poets' Corner at the Cathedral of Saint John the Divine in New York. Performers and artists who took part in his induction included Vanessa Redgrave, playwright John Guare, Eli Wallach, Sylvia Miles, Gregory Mosher, and Ben Griessmeyer. 

The U.S. Postal Service honored Williams on a stamp in 1994 as part of its literary arts series. 



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